Thursday, July 22, 2021

Wednesday, July 7, 2021

Distinguished Okwui Enwezor Lecture at University of Bayreuth, July 15, 2021

 07.07.2021 16:47

New lecture series in honour of Okwui Enwezor celebrates premiere

Christian Wißler Pressestelle
Universität Bayreuth

    In recognition of his outstanding achievements in the field of African and Global Arts, the Africa Multiple Cluster ofExcellence and the Iwalewahaus at the University of Bayreuh decided to honour the late Nigerian art curator, historian and writer Okwui Enwezor by establishing an annual lecture carrying his name. The inaugural lecture of the series will be held on 15.07.2021 by Prof. Dr. Chika Okeke-Agulu, within the framework of the International Cluster Conference “Africa*n Relations: Modalities Reflected”. The event is open to the public and will take place online due to the pandemic.

    Okwui Enwezor Distinguished Lecture 2021
    Termin: 15 July 2021, 6-7.30 pm (CEST)
    Welcome: Prof. Dr. Rüdiger Seesemann, Dean, Africa Multiple Cluster of Excellence
    Introduction: Dr. Ulf Vierke, Director Iwalewahaus
    Lecture: Prof. Dr. Chika Okeke-Agulu, Princeton University: “The Postcolonial Museum”
    Registration: https://forms.uni-bayreuth.de/formcycle/form/provide/3353/

    For almost three decades, Okwui Enwezor was one of the most influential figures in the field of contemporary art and culture with globally recognized achievements as a curator, critic, publisher, writer, poet, historian, activist, and public speaker. Awarded with numerous prizes, Enwezor gained public recognition as the artistic director of a number of global exhibitions. His curatorial practice and academic work challenged, transformed, and significantly shaped the global contemporary art landscape and continues do so after his passing in 2019.

    In order to celebrate his achievements and work for free thought and action, the Africa Multiple Cluster of Excellence has teamed up with Iwalewahaus at the University of Bayreuth to establish a new lecture series. The Okwui Enwezor Distinguished Lecture will be held annually to honour the late Nigerian art curator. The lecture titled The Postcolonial Museum will be delivered by Chika Okeke-Agulu, Director of Graduate Studies and professor of art history at the Department of Art & Archaeology at Princeton University (Princeton, NJ, USA).

    New lecture format

    The annual Okwui Enwezor Distinguished Lecture entails a new event concept. Dr. Ulf Vierke, director of Iwalewahaus, explains: “It is crucial that the format of lecture is not conceived in a traditional sense, but rather as an invitation to think together”. Each year, an artist or scholar, either an individual or a collective, will be invited to present fresh thoughts on matters of art, curation and politics in a lecture hosted by the Africa Multiple Cluster at one of its five locations (Bayreuth; Lagos, Nigeria; Eldoret, Kenya; Ouagadougou, Burkina Faso; Makhanda, South Africa). This year, the lecture will be part of the International Cluster Conference and held in a virtual format.

    Okwui Enwezor (1963-2019): a life in the service of African and Global Arts

    Born in Calabar in Nigeria in 1963, Okwui Enwezor earned a bachelor of arts degree in political science at New Jersey City University (USA). He gained visibility in the wider public as artistic director of the second edition of the Johannesburg Biennale in 1997 and went on to shape the field of African and Global Arts working in Seville, Spain and as adjunct curator at the International Center for Photography, New York. Further positions included Dean of Academic Affairs at the San Francisco Art Institute and visiting professorships in art history at University of Pittsburgh, Columbia University in New York, the University of Illinois at Urbana-Champaign, and the University of Umea, Sweden. He was one of only two personalities to curate both the Venice Biennale (2005) and the Documenta in Kassel (2002). In 2011, he was appointed director of the Haus der Kunst in Munich, where he passed away on 15 March 2019.

    In February 2019, a few weeks before his premature demise, the Bayreuth International Graduate School of African Studies had decided to confer an honorary doctorate to Okwui Enwezor. The envisioned date of the conferral, 24 May 2019, turned out to be the day of his funeral in his Nigerian hometown in Anambra State in south-eastern Nigeria. “Since the honorary doctorate did not come to pass, it is only befitting for the Africa Multiple Cluster of Excellence to honour this trailblazer for African Arts by dedicating a lecture series to his memory,” Prof. Dr. Rüdiger Seesemann, Dean of the Africa Multiple Cluster of Excellence, points out.


    Wissenschaftliche Ansprechpartner:

    Sabine Greiner
    Academic Journalist
    Africa Multiple Cluster of Excellence
    ​University of Bayreuth
    Phone: (+49) 921 / 55-4795
    E-mail: Sabine.Greiner@uni-bayreuth.de

    Tuesday, June 1, 2021

    WNYC's "The Takeaway" radio program on Restitution of African Art, June, 1, 2019


    Today, June 1 at 9:40AM EST, WNYC's popular program, The Takeaway, guest-hosted by Melissa Harris-Perry for Tanzina Vega, featured a discussion on the restitution of African Art by European and American museums and collections. Here below is the information published on the program page and a link to the podcast. The other program guest, along with me, is Karen Attiah who is the Global Opinions Editor and award-winning journalist at Washington Post.



    Undated photo put out by the Egyptian Ministry of Antiquities on Tuesday, Jan. 8, 2019, shows an illegally smuggled, artifact repatriated from the United Kingdom
    ( Egyptian Ministry of Antiquities Associated Press )

     The murder of George Floyd — and last summer’s protests against systemic racism — reignited conversations about the racist and colonialist legacies of so many institutions across the globe, including museums. 

    Now, some museums are making good on their promises to fight systemic racism in very tangible ways. This April, in a historic move, Germany announced it would return stolen African artifacts currently in its museums back to Nigeria including the priceless Benin Bronzes of the then-Kingdom of Benin. And in March, the University of Aberdeen in Scotland agreed to repatriate its Benin Bronze. France also indicated similar plans last year. 

    Yet some museums — including the famed British Museum and the Metropolitan Museum of Art — have not committed to doing the same, despite having sizable collections of looted objects like the Benin Bronzes. 

    Karen Attiahglobal opinions editor at the Washington Post, and Chika Okeke-Agulu, professor at Princeton University in the Department of Art & Archaeology, joined The Takeaway to discuss the calls to repatriate stolen items to their origin countries.

    Click here to listen to the radio program

    Thursday, May 27, 2021

     


    African Artists from 1882 to Now (Pre-order)

    Phaidon Editors with introduction by Chika Okeke-Agulu and glossary by Joseph L Underwood

    Price: USD$69.95

     






    A groundbreaking A-Z appraisal of the work of over 300 modern and contemporary artists born or based in Africa

    In recent years Africa’s booming art scene has gained substantial global attention, with a growing number of international exhibitions and a stronger-than-ever presence on the art market worldwide. Here, for the first time, is the most substantial survey to date of modern and contemporary African-born or Africa-based artists. Working with a panel of experts, this volume builds on the success of Phaidon’s bestselling Great Women Artists in re-writing a more inclusive and diverse version of art history.

     

    Format: Hardback

    Size: 290 x 250 mm (11 3/8 x 9 7/8 in)

    Pages: 352 pp

    Illustrations: 315 illustrations

    ISBN: 9781838662431





    About the author

    Conceived and edited by Phaidon editors.

    Chika Okeke-Agulu is Professor of African and African Diaspora Art at Princeton University. He is the author of several books including Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria (2015), and is a co-editor of Nka: Journal of Contemporary African Art.

    Thursday, May 20, 2021

    Flashback: My Conversation with El Anatsui at Princeton, April 22, 2015

    How time flies! It is already more than six years ago that my friend and teacher El Anatsui was in Princeton as the Sarah Lee Elson, Class of 1984, International Artist-in-Residence. The highlight was, of course, the acquisition of his work, Another Place (2014) by the Princeton University Art Museum.

    El Anatsui, Another Place, 2014




     And then there was our public conversation on campus, April 22, 2015, which I cherish, as I have several others we have done over the years.


    PRI's "The World" feature on the Return of Benin Bronzes by Germany

     


    Last week, "The World", the radio program on PRI, published a podcast in response to the news from Germany to the effect that the German government plans to return the Benin Bronzes in its state museums. The story was anchored around an interview with me by the reporter Sarah Birnbaum. Listen to the 5-minute feature here:

    Cambridge Union Debate: "Should Museums Return their Colonial Artefacts"?

     On May 17, the Cambridge Union, reputedly the world's oldest debating club, at Cambridge University hosted one of its debate panels, this time on the question: "Should Museums Return their Colonial Artefacts"? The four invited debate participants were: Dr. Monica Hanna who is acting Dean of the College of Archaeology and Cultural Heritage, Arab Academy for Science and Technology and Maritime Transport (AASTMT) in Aswan, Egypt; Dan Hicks, archaeologist and anthropologist and Professor of Contemporary Archaeology at the University of Oxford, Curator at the Pitt Rivers Museum, and a Fellow of St Cross College, Oxford. He is also the author of the hard-hitting book, The Brutish Museums (2020); Felwine Sarr, a humanist, philosopher, economist,  and the Anne-Marie Bryan Chair in French and Francophone Studies at Duke University, and is the author of Afrotopia (2019); and me. Cambridge Union Speakers Officer Tara Bhagat moderated. I really liked this panel--among the many that I have been involved in this past year, on the subject of restitution of African artefacts in European and American museums and institutions.

    If you are interested in learning news stuff about the issues pertinent to the vexed question of colonial-era looting of African artefacts and cultural heritage, the fate of the captive objects, and the broader meaning and scope of restitution, the full panel can be found here on Youtube.

    Wednesday, May 19, 2021

    Princeton University Community Solidarity with Palestine


    Princeton University Community Statement of Solidarity with the Palestinian People
    May 18, 2021

    We, members of the Princeton University community, condemn the ongoing attacks on the Palestinian people in Gaza by the Israeli armed forces, which represent the latest chapter of a nearly-fifteen-year blockade that has transformed the territory into a prison for its two million inhabitants, most of whom descend from refugees expelled and driven from their homes during the Nakba (1947-1949) that accompanied the creation of the state of Israel.

    We condemn the displacement of Palestinian families in the Sheikh Jarrah neighborhood of East Jerusalem—part of a decades long campaign of warfare, expulsion, unequal residency rights, and discriminatory planning policies that advances the ethnic cleansing of Jerusalem.

    We mourn all loss of life. We also refuse the “two-sides” and “evenhandedness” narrative that ignores and conceals the meaningful differences between Israel—one of the most heavily militarized states in the world that receives $3.8 billion of military aid annually from the U.S.—and a Palestinian population resisting occupation and oppression.

    We stand by Human Rights Watch (https://www.hrw.org/report/2021/04/27/threshold-crossed/israeli-authorities-and-crimes-apartheid-and-persecution) and the Israeli human rights organization B’tselem (https://www.btselem.org/publications/fulltext/202101_this_is_apartheid) in calling Israel’s systemic discrimination and violence by its proper name: Apartheid. The brutal system that controls Israel and the Occupied Palestinian Territories is ideologically founded upon Jewish supremacism, rules over the lives of Arab and Jewish citizens of Israel alike, and is practically committed to territorial theft from Palestinians who continue to resist physical removal and existential erasure.

    We salute the bravery and will-to-survival of Palestinians—in the Occupied West Bank, East Jerusalem, Gaza, and within Israel—as they resist the violence of the Israeli military, settler militias, and lynch mobs. We recognize as they do that peace with justice in Palestine/Israel is not possible under conditions of military occupation and unending settler-colonial expansionism.

    We stand in solidarity with the Palestinian people in their indigenous liberation struggle against forced dispossession by the Israeli settler colonial state. For decades the ostensible peace process has perpetuated Israel’s land grabs and the violent displacement of Palestinians under the fictions of military necessity and a perpetually postponed “final status” negotiation.

    We stand squarely in support of inalienable Palestinian rights that are enshrined in international law. Palestinians have the right to live in freedom. Palestinians have the right to remain in their residences. Palestinians dispossessed by the State of Israel have the right to return home.

    We wholeheartedly endorse the Palestine and Praxis open letter and call to action (https://palestineandpraxis.weebly.com), affirming our own commitments to speaking out in defense of the rights and dignity of the Palestinian people as well as foundational principles of scholarly integrity and academic freedom.

    We stand in solidarity with Palestinians and their Jewish Israeli allies, understanding that their struggle is fundamentally entwined with many other movements for equality, justice and liberation both within the United States and around the world. We join together in rededicating ourselves to working against all forms of racism, colonialism, and injustice at Princeton, in the classroom, on campus, and beyond.

    See the full list of signatories here: https://docs.google.com/document/d/133DLXQrqvSTBtGPQ8JaY2AJnxESKjgmcoAmhEDjyiQw/edit?usp=sharing

    Signed,

    Max Weiss, History and Near Eastern Studies

    Joshua B. Guild, African American Studies and History

    Julia Elyachar, Anthropology and Princeton Institute for International and Regional Studies

    Zia Mian, Program on Science and Global Security

    Harshini Abbaraju '22, South Asian Progressive Alliance

    Abdelhamid Arbab '23, Muslim Students' Association

    Benjamin Conisbee Baer, Comparative Literature

    Ruha Benjamin, African-American Studies

    Eduardo Cadava, English

    Vera Candiani, History

    Zahid Chaudhary, English

    Andrew Cole, English

    Mohamed El-Dirany 18’ 19*

    Hal Foster, Art & Archaelogy

    Behrooz Ghamari-Tabrizi, Near Eastern Studies

    Eddie S. Glaude, Jr., African American Studies

    Lara Harb, Near Eastern Studies

    Satyel Larson, Near Eastern Studies

    Mariam Mashaal *21, School of Public and International Affairs

    Anne McClintock, Gender and Sexuality Studies

    Naomi Murakawa, African American Studies

    Rob Nixon, English and Princeton Environmental Institute

    John Oakes '83

    Chika Okeke-Agulu, African American Studies and Art & Archaelogy

    Dan-El Padilla Peralta, Classics

    Gyan Prakash, History

    Rachel Price, Spanish and Portugese

    Benjamin Roberts '22, Princeton Committee on Palestine

    Sarah Sakha '18

    Irene Small, Art & Archaeology

    Alex Smith '13

    Tracy K. Smith, Lewis Center for the Arts

    Hrishi Somayji GS, Princeton Mutual Aid

    Keeanga-Yahmatta Taylor, African-American Studies