Friday, May 15, 2026

Should museums return artifacts? The debates.

Two weeks ago, I took the stage again, along with my powerful co-debater Leila Amineddoleh to argue that Museums should repatriate cultural artifacts, while our opponents were Mario Trabucco della Torretta and Dominic Selwood. The  debate was moderated by John Donvan for Open to Debate. Watch the Debate:



Meanwhile, four years ago, I debated Dominic at the legendary Oxford Union (the world's oldest, and arguably most distinguished debate platform). As the report below notes, my side (which included Stephen Fry,  and Steph Sholten) roundly beat Dominic and his team, which included Gary Vikram and Nadia-Angela Bekhti). Though, unlike unlike at Oxford, no votes were taken following the recent debate, I think we won!

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"Stephen Fry convinces: Oxford Union votes to repatriate contested artefacts"

By Meg Lintern

13th May 2022

The Oxford Union voted in favour of the motion “This House Would repatriate contested artefacts”, with 250 ayes to just 52 noes. The debate took place amid a packed chamber, with members being turned away at the door due to high demand.

Speakers in favour of the motion included Chika Okeke-Agulu, Director of African Studies at Princeton University, Steph Scholten, director of the Hunterian Museum and previous Director of Heritage Collections at the University of Amsterdam, and Sandhya Das Thuraisingham, a PPE student at Queen’s College. The proposition speaker that had attracted the crowds, however, was Stephen Fry, who was described by a member of the opposition as “nothing short of a national artefact – I mean treasure”.

The motion was opposed by Gary Vikan, Former Director of Walters Art Museum, Dominic Selwood, a historian, author, journalist, and barrister, Nadia-Angela Bekhti, a biologist at Hertford College, and Matthew Dick, a history student at Magdalen.

Union President Michael-Akolade Ayodeji opened, after which Sandhya Das Thuraisingham took the floor, introducing the speakers and reminding the audience of a very similar debate that took place nearly forty years ago when Boris Johnson (then President of the Oxford Union) argued that the British government should see the Parthenon marbles returned to Greece. 

In response, Nadia-Angela Bekhti argued that “repatriation causes a revisionist history”. To truly redress the wounds of the past, she contended, we need to move past questions of acquisition and address the issue of education. With owners of artefacts like the British Museum offering free entry, outreach and educational programmes, she claimed that it is “not a case of where these artefacts belong but where they can be of benefit to most people”.

In an argument that raised commotion from the audience, Bekhti suggested that individuals have no inalienable right to possess items that they do not own directly. Comparing the claim of the Nigerians to the Benin Bronzes to the claims of Statford-upon-Avon residents to Shakespeare’s manuscripts, she suggested that the repatriation of artefacts may not even be in the interests of those to whom they are repatriated. She said of the brutal seizure of colonial artefacts, “these wrongs cannot be made right, there are no owners when it comes to our shared history”.

Steph Scholten began his argument by rephrasing the title of the debate, suggesting that we should not be asking if artefacts should be repatriated but when. Claiming that the process of repatriation has been going on for decades, Scholten argued that the UK’s involvement in multiple international conventions, declarations, and agreements means that they are already part of this movement. Describing the injustice of holding non-western objects, particularly sacred and ritualistic ones, in western museums, he said: “museums are full of items that are valued in our western terms as objects but have deep spiritual value – we are trained only to understand their material culture.”

Above all, Scholten argued that repatriating artefacts is not a question of history, but of current geopolitical relationships: “there is an assumption that the meaning of repatriation is transactional, one off, and that it frees the nation of further obligations [but] it is a process that allows for building stronger relations.”

Dominic Selwood opened his response by stating: “Henry VIII wrote 17 letters to Anne Boleyn, some of which were pretty racy… most of them are now in the Vatican”. He claimed that the value of artefacts does not lie in their origins, but in their journey, suggesting that to repatriate artefacts would be to erase an important part of their history. He said: “the movement of cultural treasures abroad is constant… world’s highways have always run with objects in transit.”

His most divisive argument was that “the vast majority [of British-owned artefacts] were donated or purchased legitimately; Lord Elgin had permission to take the Parthenon marbles.”

Chika Okeke-Agulu’s speech was the most personal of the evening. Having been brought up in Nigeria during the civil war, he said that for his mother, “the lingering pain of that war was waking up and finding that the shrines had been systematically looted”.

Okeke-Agulu further claimed that the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property was introduced suspiciously soon after most African countries won their independence. He said, “Africans have been asking for these treasures, for these incredibly valuable artefacts, since my lifetime”, suggesting that the Convention was passed to bar newly-independent nations from requesting the return of their artefacts from European museums.

Above all, Okeke-Agulu urged the audience to pay attention to the reception of Benin artefacts that were recently returned by the French, claiming that the immensely positive response from the Nigerian people indicated “the beginnings of the revival of the people who were for so long damaged by colonialism”.

Stephen Fry took to the floor later, greeting the various members of the audience as well as the “assorted media scum” [thanks, Stephen]. He was keen to express the function of the Union itself within the repatriation debate: “You can send a message to the world, as this chamber has often done in history. It has shown where the current of thought is trending.”

Primarily, he discussed the Parthenon marbles, which he claimed were “sawn and hacked away from the frieze of that extraordinary building… These were looted and stolen and exported without licence and they need to go back.”

In response to the argument that the artefacts are being used for educational purposes in museums, he retorted: “only 1% of what the British Museum holds is on display. 99% is simply not available…What should be written on the entablature is that star phrase of Frankie Boyle, ‘Gun Beats Spear’.”

Fry told the audience that if the Parthenon marbles are finally returned, “Britain will have done something which it hasn’t done almost in my lifetime: it will have done something classy.

“There is a future in repatriation which is more than tearing it out of one museum and putting it into another… send a signal that you here in the Oxford Union are ready to embark on an exciting adventure that will only enrich everyone.”

The debate was drawn to a close by Gary Vikan, who lamented his bad luck in following Fry. He argued that there are three possible options for the repatriation of artefacts: that this debate “blows over”, that the artefacts are unilaterally given back, and that a 50/50 partnership is drawn up between the museums holding artefacts and the nations that have a national claim to them.

Forty years after Boris Johnson argued in a Union debate that the Parthenon marbles should be returned to “where they belong”, the audience of that same chamber reached the same conclusion. The only remaining question is whether the debate will need to return in another forty years’ time. 

Sunday, May 10, 2026

On Receiving The Behrman Award at Princeton

 It has been a tremendous feeling of gratitude to my colleagues and peers at Princeton University for being receiving, last Saturday, the Howard T. Behrman Award for Distinguished Achievement in the Humanities, which “recognizes extraordinary faculty distinction in humanities and publication; in teaching and advising; and in humanities-related University service.” The award dinner at the magnificent Prospect House dining room, was glorious--the sort of thing hardly imaginable anywhere else. And to have my mother, my children, two sisters, as well as three of my dearest friends (who came in from California and Florida) present (while my wife was, still is, in Venice installing her amazing work at this year's Biennale), meant everything. 


Saturday, April 25, 2026

Keynote Lecture at AAH Annual Conference, University of Cambridge


 So, on April 10, 2026, I made a quick one-day trip to the University of Cambridge to give a Keynote Lecture at the Annual Conference of the Association for Art History. There, I spoke on a subject that anyone who has followed my activities for about a decade now may know: the restitution of many of Africa's significant cultural heritage held in imperial (aka, formerly Universal, but now Global) museums in Europe and the US. I explored how recent gestures of knowledge restitution in a few museums portend the making of what I call the postcolonial, global museum. The audience's applause at the end was, I must say, unusually looooong for an academic event! 

Wednesday, April 1, 2026


 You are welcome to the presentation of "Scale Boy" this fascinating memoir by the award-winning author Patrice Nganang. He will have a highlight conversation with my amazing colleague Eddie Glaude. Hosted by Africa World Initiative at Princeton. April 2, 2026.

Sunday, December 7, 2025

For Congresswoman Ilhan Omar




Stand your ground

Against bullies

And small men

In big houses


Stand tall sista

Against bigots

And hegemons

From yesterday

© Chika Okeke-Agulu. Dec. 6, 2025

Artforum Best Books of 2025


By Jack Bankowsky, Thomas Crow, David Getsy, Andrea Gyorody, Nate Lippens, Sianne Ngai, Chika Okeke-Agulu, Purtill Family Business, Kathryn Scanlan, Barry Schwabsky, Ira Silverberg, Joe Westmoreland, John Yau, Mi You

My Selection: Dan Hicks, Every Monument Will Fall: A Story of Remembering and Forgetting (Hutchinson Heinemann. 592 pages)


How times change. In 2002, the directors of several of the largest museums in Europe and the United States, among the most consequential and revered voices in scholarship, told us that the so-called universal museums had a kind of manifest destiny to keep the best examples of the world’s art and cultural heritage in perpetuity; never mind that a good portion of them were taken through spectacular acts of military violence, diplomatic subterfuge, suspicious bargains, ingenious chicanery, and simple or elaborate theft. The defenders of institutions mostly forged by imperialism had reason to raise the ramparts against the advancing hordes from the postcolony. In 2020, Dan Hicks, the British archaeologist and curator at Oxford University’s Pitt Rivers Museum, a veritable insider, fired a discursive bazooka against imperial collections in his wickedly titled book The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution, focusing his lens on looted treasures of the Benin Kingdom held in British museums. That book called for the return of everything in museums that had been stolen or looted by agents of empire and their accomplices to their original owners. Now, in his latest book, Hicks wields his critical sledgehammer against one of the most visible subjects of the contemporary culture wars: monuments.

As the book’s title proclaims, “Every monument will fall.” What does Hicks mean by this? Well, it’s complicated. Like the dogged archaeologist he is, Hicks meticulously digs through the layered and fraught histories of monumental sculptures and structures built by empire’s agents and institutions for self-perpetuation, often at the expense and in suppression of subject peoples’ imaginaries and aspirations of selfhood. Then, he proposes the deconstruction—or, better, demolishing—of the logic, politics, and ideologies behind the creation, maintenance, and mythologizing of hegemonic monuments and their enabling institutions. In this passionate and searing call for cleansing the hurtful and oppressive accretions of history that we call monuments, Hicks pulls no punches.

Chika Okeke-Agulu