The International Studio & Curatorial Program is a laboratory for the world’s most promising artists and curators, a place for innovation and experimentation. ISCP’s mission is:
- to support and enhance the professional development of emerging to mid-career artists and curators from around the world
- to introduce New York audiences to exceptional international art practices
- to engage communities of Brooklyn and the New York City area through public programs that
ISCP supports the creative advancement of contemporary artists and curators, and promotes cultural exchange through residencies, exhibitions and public programs. Housed in a former factory in East Williamsburg, with 35 light-filled work studios and two gallery spaces, ISCP is New York’s most comprehensive international visual arts residency program, and the fourth largest worldwide. In addition, ISCP organizes innovative exhibitions, engaging public talks, and offsite projects, which are free and open all, and offers the public access to important practices and ideas in the visual arts.
ISCP connects residents to a diverse global network of colleagues build lifelong professional relation-ships. With over 1,350 alumni from more than 80 countries including the United States, ISCP hosts more than 100 residents each year. Among ISCP’s respected alumni are artists Njideka Akunyili Crosby, Elmgreen and Dragset, Claire Fontaine, Camille Henrot, Yeondoo Jung, Chi Wo Leung, Jacolby Satterwhite, Tatiana Trouvé; and curators Mai Abu ElDahab, Vit Havránek and Aneta Szylak.
ISCP Curatorial Residency Program
Program Benefits:
• opportunity to propose an exhibition for two different venues--ISCP's project space or offsite at El Museo de Los Sures in Williamsburg
• opportunities to speak both onsite and offsite about current projects, including presentations at ISCP Salons and at Independent Curators International's Curatorial Hub
• Open Studios presentations (for April and November residents only)
• field trips to cultural institutions in and outside New York
• overnight field trip to art institutions outside New York City (for summer residents only)
• contribute to the ISCP journal for a fee
• residents are paired with senior curators for one-on-one professional development sessions (for curators-in-residence for three months or longer)
Anne Szefer Karlsen (left), Norway, 2016 |
Satu Oksanen (left), Finland, 2016 |
•
bimonthly private studio visits with professionals from museums, galleries, alternative spaces and publications
bimonthly private studio visits with professionals from museums, galleries, alternative spaces and publications
• Possibility of working with past New York Foundation for the Arts Fellows for an exhibition in New York City
ISCP has hosted the following Curatorial Residents over the past eighteen years:
2017
Eli Kerr, Canada
Marte Danielson Jølbo, Norway Srinivas Aditya Mopidevi, India Tess Maunder, Australia
Julia Geerlings, The Netherlands
2016
Howie Chen, United States Rael Artel, Estonia Catherine Barnabé, Canada
Julia Geerlings, The Netherlands Anne Szefer Karlsen, Norway Hyukgue Kwon, South Korea Satu Oksanen, Finland
Hsing-Ning Huang, Taiwan Lýdia Pribišová, Slovakia Anushka Rajendran, India Elise Routledge, Australia
2015
Iliana Antonova, Canada
Natalie Hope O'Donnell, Norway
Naveen Mahantesh, India Gun Soo Lee, South Korea Susan Gibb, Australia
2014
Randi Grov Berger, Norway Marianna Garin, Sweden Véronique Leblanc, Canada Emilie Nilsson, Denmark
2013
Yang Yeung, Hong Kong Claire Moeder, Canada Hilde Methi, Norway
Jan Lesak, Czech Republic
2012
Ilaria Marotta, Italy Erlend Hammer, Norway Meiya Cheng, Taiwan Marie Perrault, Canada Melissa Keys, Australia
2011
Wendy Fernandez, Spain Stephen Gilchrist, Australia Adéla Hrušková, Czech Republic Jau-lan Guo, Taiwan
Peter J. Amdam, Norway Jean-Michel Ross, Canada Veronika Zajacikova, Czech Republic
Astrid Honold, The Netherlands
Necmi Sönmez, Turkey
2010
Attila Tordai-S, Romania
Vjera Borozan, Czech Republic Rosemary Forde, Australia Chiara Sartori, Italy
Joanna Zielinska, Poland
Elisabeth Byre, Norway
2009
Susanne Ø. Saether, Norway Mihnea Mircan, Romania Miguel Amado, Portugal
2008
Biljana Ciric, Serbia Esther Lu, Taiwan Pavlina Morganova, Czech Republic Hong-John Lin, Taiwan Branka Bencic, Croatia
Rakett (Åse Løvgern & Karolin Tampere), Norway
2007
Antonia Majaca, Croatia Stella Fong, Hong Kong Gary Dufour, Australia Kjetil Røed, Norway Rita Palma, Portugal
2006
Kim Stern, South Africa Sung-Eun Kang, South Korea Louise Rollman, Australia Aniko Erdosi, Hungary Radmila-Iva Jankovic, Croatia Geir Haraldseth, Norway
2005
Veronica Wiman, Sweden
Klara Vomackova, Czech Republic Marianne Zamecznik, Norway
Agnieszka Kurant, Poland
2004
Eivind Furnesvik, Norway
Vit Havranek, Czech Republic Mai Abu ElDahab, Egypt Rifky Effendy, Indonesia Sunny Jang, South Korea Martina Siegwolf, Switzerland
2003
Marica Gojevic, Switzerland Christina Vegh, Switzerland Tone Hansen, Norway Hsiao-Kuei Hsu, Taiwan
Yi-Ting Lei, Taiwan
David Kulhanek, Czech Republic
2002
Maria Vassileva, Canada Natalia Filonenko, Ukraine Adam Sutherland,
United Kingdom
2001
Karel Cisar, Czech Republic Aneta Szylak, Poland
2000
Theo Tegelaers, The Netherlands
1999
Diana Popova, Canada
Martina Pachmanova, Czech Republic
Jane Farver Curatorial Residency at ISCP
APPLICATION DEADLINE: Friday, June 1, 2018 RESIDENCY DATES:
December 1, 2018 – February 28, 2019
LOCATION:
International Studio & Curatorial Program (ISCP) 1040 Metropolitan Ave, Brooklyn, NY 11211
DESCRIPTION:
The International Studio & Curatorial Program (ISCP) is pleased to announce an open call for a fully funded three-month residency for a curator from the Global South, including a stipend for travel and housing, supported by the Jane Farver Memorial Fund.
In order to be eligible, curators must currently be a full-time resident of and have an active curatorial practice in one of countries listed below. The residency program includes 24-hour access to a private furnished office space; meetings with Visiting Critics; field trips to museums, galleries and other cultural venues; and participation in a summer Open House and public talk. The residency also includes a stipend of approximately $9,000 and additional funding to curate and produce an exhibition in ISCP’s 350 sq. ft. Project Space during early 2019. Proposals for the exhibition can be for either solo or group exhibitions, in a range of media. ISCP residents become part of a growing network of international artists and curators who are ISCP alumni. An ISCP residency has often led to critical advancement in the practices of the artists and curators in residence, and fosters a dynamic, supportive working community.
Other requirements include a working knowledge of English, being onsite at ISCP 20-hours per week, and conducting studio visits with the artists (and curators) in residence in the International Program.
The Jane Farver Memorial Fund has received support from the Lambent Foundation, Cai Guo- Qiang, John L. Moore, Kimsooja, Carolee Thea, and Jennifer Bansen.
This residency honors ISCP’s trustee Jane Farver (1947-2015), pioneering American curator and writer, who is globally recognized as a champion of contemporary artists, especially those working outside the mainstream Western art historical canon.
Among her best-known projects was the 1999 exhibition, Global Conceptualism: Points of Origin 1950s-1980s, organized while she was Director of Exhibitions
for the Queens Museum from 1992-1999, and which traveled to the Walker Art Center, Miami Art Museum and MIT List Visual Arts Center. Other presentations she curated at the Queens Museum include Across the Pacific: Contemporary Korean and Korean American Art; Cai Guo- Qiang, Cultural Melting Bath: Projects for the 20th Century; and Out of India: Contemporary Art of the South Asian Diaspora. From 1999 to 2011, Farver was director of the List Visual Arts Center at MIT, where she organized solo exhibitions and projects by artists including Mel Chin, Michael Joo, Paul Pfeiffer, Runa Islam, and Tavares Strachan.
Among numerous biennials, Farver curated the Incheon Women Artists’ Biennale in South Korea in 2011, and she was co-commissioner of the American artist Paul Pfeiffer at the 9th Cairo Biennial, and was one of six curators of the 2000 Whitney Biennial. Farver’s early career began in Cleveland, where she was director of Spaces, then she moved to New York where she was director at Tomoko Liguori Gallery, followed by directorship of the Lehman College Art Gallery in the Bronx. Her husband, the American artist and curator John L. Moore, has played an instrumental role in supporting ISCP’s efforts to build a residency in Jane Farver’s honor.
APPLICATION PROCEDURE:
Please submit the following to application@iscp-nyc.org by Tuesday, May 1, indicating “Jane Farver Curatorial Residency” in the subject line:
Application Form (attached)
Applicants must provide the following information: name; date of birth; place of birth; mailing address; telephone number; email address; and ethnicity.
□ curriculum vitae
□ images and descriptions of past curated projects or authored texts
□ scanned copies of 2-3 reviews (if applicable)
□ two names of references with contact information
□ brief description of what you envision for the ISCP exhibition in 2019
□ short description of how you envision your time at ISCP, 300 words max
□ proof of residence in one of the eligible countries
ELIGIBILITY: Curators living in and from the Global South are invited to apply. Applicants may not be ISCP alumni, residents in another studio program at the same time as the Jane Farver Curatorial Residency, or enrolled in school.
SELECTION: The selection committee reviews applications based on past accomplishments and curatorial innovation. Other consideration factors are: the potential impact of the residency on the applicant and preparedness to undertake the residency and proposed project.
Interviews with finalists will be held by the selection committee. NOTIFICATION: Curators will be notified by June 30, 2018
ELIGIBLE COUNTRIES:
Asia / Pacific
Afghanistan, Bangladesh, Bhutan, Brunei, Cambodia, China, Fiji, India, Indonesia, Iran, Kiribati, Laos, Malaysia, Maldives, Marshall Islands, Micronesia, Mongolia, Myanmar, Nauru, Nepal, Pakistan, Palau, Papua New Guinea, Philippines, Samoa, Solomon Islands, Sri Lanka, Thailand, Timor-Leste, Tonga, Tuvalu, Vanuatu, Vietnam
Arab States
Algeria, Bahrain, Comoros, Djibouti, Egypt, Iraq, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestinian Territories, Qatar, Saudi Arabia, Somalia, Sudan, Syria, Tunisia, United Arab Emirates, Yemen
Africa
Angola, Benin, Botswana, Burkina Faso, Burundi, Cameroon, Cabo Verde, Central African Republic, Chad, Democratic Republic of the Congo, Republic of the Congo, Cote d'Ivoire, Equatorial Guinea, Eritrea, Ethiopia, Gabon, The Gambia, Ghana, Guinea, Guinea-Bissau, Kenya, Lesotho, Liberia, Madagascar, Malawi, Mali, Mauritius, Mozambique, Namibia, Niger, Nigeria, Rwanda, Sao Tome and Principe, Senegal, Seychelles, Sierra Leone, South Africa, South Sudan, Swaziland, Tanzania, Togo, Uganda, Zambia, Zimbabwe
South / Latin America
Antigua and Barbuda, Argentina, Aruba, The Bahamas, Barbados, Belize, Bolivia, Brazil, Chile, Colombia, Costa Rica, Cuba, Curacao, Dominica, Dominican Republic, Ecuador, El Salvador, Grenada, Guatemala, Guyana, Haiti, Honduras, Jamaica, Mexico, Nicaragua, Panama, Paraguay, Peru, Puerto Rico, Saint Kitts and Nevis, Saint Lucia, Saint Vincent and the Grenadines, Sint Maarten, Suriname, Trinidad and Tobago, Uruguay, Venezuela, British Virgin Islands, U.S. Virgin Islands
Commonwealth of Independent States
Armenia, Azerbaijan, Belarus, Georgia, Kazakhstan, Moldova, Kyrgyzstan, Tajikistan, Turkmenistan, Ukraine, Uzbekistan
The above list is gleaned from numerous websites, below. If you do not see your country but believe you are from the Global South, please inquire to aalbuainain@iscp-nyc.org http://www.globalsouthproject.cornell.edu/about.html
http://ihgc.as.virginia.edu/mellon-global-south-initiative https://www.academia.edu/7917466/The_Use_of_the_Concept_Global_South_in_Social_Scien ce_and_Humanities
kups.ub.uni-koeln.de/6399/1/voices012015_concepts_of_the_global_south.pdf https://www.rgs.org/NR/rdonlyres/6AFE1B7F.../60sGlobalNorthSouthDivide.pdf
Jane Farver Curatorial Residency at ISCP December 1, 2018 – February 28, 2019
Deadline to apply: June 1, 2018
Date of application:
Name: ……………………………………………………………………………….…… Email: ……………………………………………………………………………………. Telephone number: (+ ) ………………………………..…………………… Website: ………………………………………………………………………………. Country of residence: ……………………………………………………………. Country of birth: …………………………………………………………….
Address: ……………………………………………………………………………….
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Please enclose the following supporting materials in your email application:
¨ curriculum vitae
¨ images and descriptions of past curated projects or authored texts
¨ scanned copies of 2-3 reviews (if applicable)
¨ two names of references with contact information: ..................................................................
........................................................................................................................................................
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¨ brief description of what you envision for the ISCP exhibition in 2019
¨ short description of how you envision your time at ISCP, 300 words max
¨ proof of residence in one of the eligible countries
Note: incomplete applications will not be reviewed. Please submit your application in a single PDF no larger than 10 MB to application@ iscp- nyc. org
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