Marcia's "Tease" opening @ Susan Inglett (pictures)

Marcia's opening last night at Susan Inglett art gallery in Chelsea, New York was, take my word for it, fabulous. Old and new friends came out to celebrate this exhibition in which Marcia showed sculptures for the very first time! I will let others comment on the exhibition itself, but here are some pictures from the opening:

Hal Foster and Okwui Enwezor

Lucia Dogbeh-Onovoh, with Johannes and Sophie Lehmann

Lawyer and Art Collector David Ross with Professor Simon Ottenberg

Adedoyin Teriba and Okwui Enwezor

Susan Inglett and art collector/curator Holly Ross

Marcia and Donna Sesee

Carol Barnard Ottenberg and David Ross

Simon Ottenberg and Johannes Lehman (and Sophia, center) of Cornell University

Simon Ottenberg and Marcia

Artist Ard Berge, Holly and David Ross, and Metropolitan Museum of Art curator Alisa LaGamma

Marcia with Steven Nettles and Ellen Lagow-Nettles of Art Now Management 

Molly Nettles with Ngozi and Arinze Okeke-Agulu

Sherman Edmiston of Essie Green Galleries (center)

Hal Foster (left), Kristen Windmuller-Luna (center) and Joseph Luna (right)

Lucia Dogbeh-Onovoh, Marcia with Ngozi, Okwui Enwezor and Hal Foster

Susan Inglett and Gary Schneider, Director of Education @ Monclair Museum of Art

Kristen Windmuller-Luna and Joseph Luna

Lucia Dogbeh and Okwui Enwezor

Marcia, Ngozi and independent curator Tumelo Mosaka

Perrin Lathrop of Newark Museum and Simon Ottenberg

Adichie Reads from "Americanah" at Princeton, May 15

Chimamanda Ngozi Adichie — Americanah Wednesday, May 15th, 2013 at 6PM — Labyrinth Books Princeton

Labyrinth Books, Princeton's Center for African American Studies, the Program in African Studies, and the Carl Fields Center at Princeton invite you to a reading by acclaimed author Chimamanda Ngozi Adichie from her new novel. Introduction by Professor Chika Okeke-Agulu of Princeton. From the award-winning author of Half of a Yellow Sun, comes a dazzling new novel: a story of love and race centered around a young man and woman from Nigeria who face difficult choices and challenges in the countries they come to call home. As teenagers in a Lagos secondary school, Ifemelu and Obinze fall in love. Their Nigeria is under military dictatorship, and people are leaving the country if they can. Ifemelu—beautiful, self-assured—departs for America to study. She suffers defeats and triumphs, finds and loses relationships and friendships, all the while feeling the weight of something she never thought of back home: race. Obinze—the quiet, thoughtful son of a professor—had hoped to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London.  Years later, Obinze is a wealthy man in a newly democratic Nigeria, while Ifemelu has achieved success as a writer of an eye-opening blog about race in America. But when Ifemelu returns to Nigeria, and she and Obinze reignite their shared passion—for their homeland and for each other—they will face the toughest decisions of their lives. Fearless, gripping, at once darkly funny and tender, spanning three continents and numerous lives, Americanah is a richly told story set in today’s globalized world. Chimamanda Ngozi Adichie is the 2003 O. Henry Prize winner. She was shortlisted for the 2002 Caine Prize for African Writing. Her first novel, Purple Hibiscus, was shortlisted for the Orange Prize and the John Llewellyn Rhys Prize, and longlisted for the Booker. Her other books are the acclaimed novel Half of a Yellow Sun and the story collection The Thing Around Your Neck. She now divides her time between the U.S. and Nigeria. Chika Okeke-Agulu is Associate Professor in the Department of Art & Archaeology and at the Center for African American Studies, Princeton University. Please r.s.v.p to info-pr@labyrinthbooks.com

Image of the Black in Western Art Symposium @ Yale

Yesterday, the poet Elizabeth Alexander and art historian Koben Mercer both of Yale University organized one of the most invigorating symposiums I ever attended. It went onall day, but the time seemed to have gone so quickly!  

David Bindman of University of London and Harvard spoke about the influential Image of the Black in Western Art series several volumes of which he co-edited with Henry Louis Gates of Harvard. Then there were Jeremy Tanner of University College, London, who talked about representations of blackness in the ancient world (mostly Greek), Paul Kaplan of Purchase College, SUNY, on the same subject but focusing on early modern Europe, and Suzanne Blier of Harvard who examined the published sources of African art sculpture on which Picasso based some of his more evocative, early figural abstractions. For his part Kobena Mercer gave an expansive account of  "Black Atlantic practices since 1980"--an impressive survey of four modes of address adopted by black artists in Europe, the Americas and Africa. The concluding panel discussion--chaired by artist and retired Princeton professor of history Nell Painter--included a re-examination of the work and life of the black, proto-feminist sculptor Edmonia Lewis, by Jennifer Brody of Stanford; my talk on contemporary African and African Diaspora art in the age of globalization; and a paper on the syncretic Caribbean modernism by Yale's Erica James. 

As if these were not enough, the erudite formal responses to the Tanner, Kaplan, Blier and Mercer lectures respectively by Yale's Emily Greenwood, Boston University's Allison Blakely, Katie Trumpener of Yale, and Columbia's Kellie Jones made the symposium a most memorable event. 

Elizabeth Alexander's Welcome note

David Bindman's introduction to the series

Paul Kaplan of Purchase College, SUNY speaks of Image of the Black in Early Modern Europe

Alexander and art historian Sarah Lewis

Second left: Art historian Erica James of Yale who spoke Caribbean art; Bindman (2nd right) and Mercer

Bindman with Kaplan; 2nd right, Yale graduate student Kristin Graves and partner  Emmanuel Okoli

Mercer and Tanner

Lewis, Mercer, Painter and moi

Paul Stopforth, Wangechi Mutu, Ghada Amer and Jerry Buhari @ Princeton seminar

Today we concluded a series of presentations by four important African artists in my "Art and Politics in Postcolonial Africa" seminar here at Princeton this semester. First, on February 27, we had Paul Stopforth, the South African artist who mobilized figurative realism in the 1980s (anticipating Jane Alexander and William Kentridge) to lead the onslaught against the wounded, angry beast that was Apartheid, in what would eventually be called "Resistance Art" by the artist-art historian Sue Williamson. When Stopforth left South Africa on the eve of the end of Apartheid, he turned to abstraction, which was though often punctuated by dramatic passages of hyperrealism. Second, (on April 10) we hosted the Kenyan-born Wangechi Mutu, celebrated for her examination of the tenuous boundaries between the beautiful and the monstrous, between fantasy and obsession and between power and desire as they are channeled through the body of the black and African woman.  Third, on April 17 came the Egyptian-born Ghada Amer whose work began first as a response to the phenomenon of (re)veiling of women in the 1980s Egypt, but has since gone on to broach questions about female agency and desire. She spoke about her well-traveled embroidered paintings of homo- and autoerotic women, and about her ambitious flower garden projects and her most recent forays into sculpture. And today (April 24), we had in class Jerry Buhari--a leading Nigerian artist and professor at Ahmadu Bello University, Zaria--who with the late Gani Odutokun became the fountainhead of a reinvigorated critical painting at Zaria, in the 1980s and 1990s. His lecture focused on his meditation, through painting, on the environment and on Nigerian politics during the age of the dictatorships.

This my way of saying a big Thank You to these distinguished friends and artists for their remarkable work, and for making this seminar a most memorable one for my students!

Paul Stopforth and Doyin Teriba (doctoral candidate, Princeton), Feb. 27, 2013

Wangechi Mutu speaking about her work, April 10, 2013

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Ghada Amer speaking about her work, April 17, 2013

Ghada's Q/A session: seminar members, second from left: Doyin Teriba, Kristen Windmuller-Luna, Priscilla Agyapong, Adaeze Okafor, Carolina Nunez, Cornellius Metto, Mary Kolbenschlag, Rashidat Emiola, Ashley Eberhart, Niels Henriksen 

Professor Jerry Buhari during the Q/A, April 24, 2013

Mary, Doyin, Ashley, Priscilla, Niels, Jerry, Carolina, Adaeze and Cornellius after seminar