Images from the formal presentation Of Ezumeezu

Demas Nwoko (photos by Anthony Nsofor)

 On October 23 the Goethe-Institut (German Cultural Centre), Lagos, hosted the formal presentation of Ezumeezu: Essays on Nigerian Art & Architecture, a Festschrift in Honour of Demas Nwoko (published by Goldline & Jacobs Publishing, 2012) coedited by Obiora Udechukwu and me. Few if any could remember being in one room with such artistic and literary eminence in Nigeria. In the room was the celebrant, Demas Nwoko, arguably Nigeria's most important architect and leading member of the 1960s avant-garde. His closest friends Bruce Onobrakpeya and Uche Okeke, both members of the legendary Art Society at the Nigerian College of Arts, Science and Technology, Zaria (1958-61) were there. There was JP Clark, the preeminent poet and writer, as well as novelist and first Nigerian editor of Nigeria Magazine (1962-66) Onuora Nzekwu. Igwe Nnanyelugo Nnaemeka Achebe "Agbogidi" (Obi of Onitsha), and Oba Gbenga Sonuga (who before his coronation was a noted theatre scholar and practitioner), were in attendance. From the art world, we had Jerry Buhari, Ndidi Dike, Olu Amoda, Tony Nsofor, Emeka Udemba, Chinwe Uwatse, George Nwadiogbu, Oliver Enwonwu, Ada Udechukwu, Tunde Soyinka and many others; also the collectors Yemisi Shyllon and Folabi Kofo-Abayomi. Toyin Akinosho (leading art critic) and Jahman Anikulapo (editor Guardian on Sunday; and compere for the event), my two colleagues at Committee for Relevant Art (CORA) were present, along with journalists from The Guardian, National Mirror and Nigerian Compass. The architect Jilian Hopwood showed up; the book, The Architecture of Demas Nwoko, she recently authored with her partner and architect John Godwin was available in the stand. I was thrilled to have in the room my classmates at Nsukka (1990 class), now media executives Bedford Bokromo and Goziem Ufodike, and my seniors Reginald Akuchie (publisher, Black Trend Magazine), Chijioke Onuora (Associate Dean of Faculty of Arts, at Nsukka). Memorable is the word!

At the high table, from left: Igwe Nnanyelugo Achebe "Agbogidi" (Obi of Onitsha), Demas Nwoko, J. P. Clark and Oba Gbenga Sonuga

Jahman Anikulapo (editor of The Guardian on Sunday), was the compere

 

Marc-Andre Schmachtel, Director of the Goethe-Institut, Lagos giving his welcome

 

Frank Ugiomoh of University of Port Harcourt, the book reviewer

The artist and writer, Ada Udechukwu

Nwoko's life-long friend and influential artist, Bruce Onobrakpeya

Emeka Udemba, the artist who recently established Project-Space, Lagos

The artists Chinwe Uwatse, and Ndidi Dike (back to viewer)

My mother, Joy Okeke-Agulu

Ndidi Nwuneli of LEAP Africa, and artist Onyema Offoedu-Okeke

Obiora Udechukwu

The musician Ori Okoro (left), Obiora and Ada Udechukwu

Toyin Akinosho, foremost critic and publisher of Africa Oil+Gas Report

with good friend and artist Jerry  Buhari

The editors with Father Akosa Emodi, Ada Udechukwu, and Joy Okeke-Agulu

Standing, Photography critic Tam Fiofori and J. P. Clark, with Bruce Onobrakpeya seated lower left

Ifeoma Uche-Okeke and Ndidi Dike

Demas Nwoko, Chief Okey Ononye, Oba Sonuga, "Agbogidi," and J. P. Clark

Demas Nwoko with part of the Okeke-Agulu family: Chika, Mama, Okwudili and Ejike

Demas Nwoko greets my mother

Demas Nwoko with Oliver Enwonwu, President of Society of Nigerian Artists

From left, Uche Okeke, Demas Nwoko, Chief Okey Ononye, and J. P. Clark

 Oba Sonuga with Bruce Onobrakpeya

Obiora Udechukwu with architect and award-winning environmentalist Nnimmo Bassey of Environmental Rights Action. Bassey is one of the contributors to the book.

Standing: artists, Emeka Udemba, Oliver Enwonwu, and Victor Ehikhamenor

Frank Ugiomoh (second from left) with Udechukwu (center) and his former students at Nsukka: my classmates, Goziem Ufodike (left), Bedford Bokromo (3rd from right); Uche Nwosu, and Chijioke Onoura whose interview with Nwoko is included in the book.

Igwe Achebe formally presenting Ezumeezu. The conclusion of a journey that began years ago

In Portuguese: My essay, "The Art Society and the Making of Postcolonial Modernism in Nigeria"

45 chika okeke agulu palindromo5 pdf

Found at ebookbrowse.com

Ofodunka, an inspirational site!

Ọfọdunka

 has been listed among 7 sites of art inspiration by the online magazine Heritage 1960.

OK, I am not sure Ofodunka is that "inspirational" but if the magazine says it loves this site,  I will take the compliment, and continue to be as "informative" and "opinionated" as ever!

Callaloo Conference at Princeton

Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday Life opens at International Center for Photography (ICP), NY

Unidentified Photographer, [Part of the crowd near the Drill Hall on the opening day of the Treason Trial], December 19, 1956. Times Media Collection, Museum Africa, Johannesburg. All images courtesy, ICP, NY.

Okwui Enwezor (the director of the just-concluded La Triennale, Paris, whose day Job is director, Haus der Kunst, Munich) has organized a landmark exhibition on the history, memory and legacies of Apartheid in South African. This exhibition, which features about 550 objects/images/films by nearly 70 photographers, artists and filmmakers will, as has rarely happened before, occupy the entire museum. So, this is a big exhibition; which is not surprising, given how so much apartheid occupied the world's imagination and shaped a country for half a century. Moreover, I expect it to be another signature exhibition by Enwezor who has a penchant for spectacular, complex and rigorously conceived shows. I will be posting photos from the opening of the exhibition, plus an interview with Okwui in the coming days. So stay tuned.

Jurgen Schadeberg, The 29 ANC Women's League women are being arrested by the police for demonstrating against the permit laws, which prohibited them from entering townships without a permit, and were later kept in Boksburg Prison for 14 days, 26th August 1952. Courtesy the artist.

Graeme Williams, Right Wing. South Africa, Pretoria, 1990. Courtesy the artist. © Graeme Williams.

My tribute to Amal Kenawy on The Huffington Post

To read my tribute to Amal Kenawy on The Huffington Post, please click HERE

Biafra

"I have seen things in Biafra this week no man should have to see. Sights to search the heart and sicken the conscience. I have seen children roasted alive, young girls torn in two by shrapnel, pregnant women eviscerated, and old men blown to fragments. I have seen these things and I have seen their cause; high-flying Russian Ilyushin jets operated by Federal Nigeria, dropping their bombs on civilian centres throughout Biafra...At Onitsha, the 300 strong congregation of the Apostolic Church decided to stay on while others fled and to pray for deliverance. Col. [Murtala] Mohammed's* Second Division found them in the church, dragged them out, tied their hands behind their backs and executed them."

(Sunday Times, London, 26 April, 1968, p. 12)

*Col. Mohammed took power in 1975; was assassinated in a military coup in 1976. He never paid for his crimes in this life. Nor did any of his accomplices.